Jimi Hendrix, The Who, Jefferson Airplane, and Janis Joplin tore up the stage at Monterey, too. "Otis blew the place apart,"said one record executive. Before launching into a Sam Cooke classic, he issued an irresistible demand via call-and-response to "shake." He wooed them with the familiar-his rendition of "Respect" (later recorded by Aretha Franklin-even Redding admitted that it eventually became her song) and the cover of the Rolling Stones' "Satisfaction." He slowed it down for "the love crowd" with his epically soulful "I've been Loving You Too Long." And then he seduced them with misdirection, a soulful observation that swelled into a driving plea to "Try a Little Tenderness."īy the time Redding left the stage to raucous applause, he had won a legion of new fans and wowed the critics. Stepping on the stage at one in the morning under a light rain, Redding worked the crowd masterfully. It was far from obvious how Monterey's white Northern audience, anxious to hear The Who, Jefferson Airplane, and The Mamas and The Papas, would respond to the "King of Southern Soul." After a successful tour in Europe, he was looking for an opportunity to reach a more diverse American audience, but his performance style had been honed before predominately Black fans. His decision to perform at Monterey had been both calculated and risky. His performance at the June 1967 Monterey Pop Festival in California was a turning point.
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He was far from unknown to pop and rock fans three of his songs had cracked the pop Top 40. In 1967, Redding was on the brink of reaching a broader audience. In addition to these songs, all of which Redding either wrote or co-wrote, he released a cover of the Rolling Stones' " Satisfaction," which reached #4 on the R&B charts in 1966.
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In 1960, Redding began singing with Johnny Jenkins and the Pine Toppers and, in 1963, he scored his first individual hit with "These Arms of Mine." He followed up this success with a series of hits on the R&B charts, including "Mr. At fifteen, he dropped out of high school and began singing a different kind of music-he joined the Upsetters, the old band of another Macon resident, Little Richard. Born in Dawson and raised in Macon, Georgia, he cut his musical teeth in a Baptist church choir. Does it tell the story of a man at peace with the rhythms of life, or does it express a more pessimistic sadness, even defeat?īy the time Redding recorded "Dock of the Bay," he was a major figure in R&B markets. In many ways, it is still inextricable from his tragic death.īut listeners have always been divided on the spirit of Redding's final work.
The song was released just weeks after he was buried in Georgia, so it was widely heard as his epitaph.
Otis Redding finished recording "(Sittin' On) The Dock of the Bay" just days before the plane crash that took his life. NFL footage © NFL Productions LLC.Meaning King of Southern Soul Takes on Monterey All other NFL-related trademarks are trademarks of the National Football League. NFL and the NFL shield design are registered trademarks of the National Football League.The team names, logos and uniform designs are registered trademarks of the teams indicated.
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